Introspective, self absorbed, ironic: Isobel tries to escape herself by fleeing the pressures of academic life in America for a break in Iceland. Will she begin to relax and ground herself by 'letting the body lead'? There are some strong supportive women characters, and lyrical evocations of Iceland: sunsets, children, the blisters of unaccustomed hiking, the acrid texture of her love affair with a charming alcoholic.